s
the Kirkbride creation at Danvers

End of A Wing
Jeremy Barnard

When Jeremy Barnard initially entered the dark, deteriorated buildings of the place with sculptor Andy Chulyk, he had resolved to have no preconceptions, to be open to whatever it was that they found.

There was no electricity (the asylum had been closed ten years before), and it was with the most rudimentary means of illumination that he made his way into the halls, tunnels, wards, treatment rooms, offices, and stranger spaces of indeterminate purpose.

As Barnard and Chulyk returned a number of times together they began, each in his own way, to explore not only the dank and forbidding desolation of the place and their childhood memories and feelings about it, but also to react to the tragedy of the human experience to which the place had been witness -- and to react as artists.

Dramatic interior asylum shot: Doors

Two Doors
Jeremy Barnard

Dramatic interior asylum shot: Blue Bath

Blue Bath
Jeremy Barnard

As Barnard absorbed the eerie, secretive atmosphere the initial desire he felt was to “humanize the mystery of this landmark, find images that showed that human beings lived there”.

But he also discovered something else...

Dramatic interior asylum shot: littered stairwell

Tickets
Jeremy Barnard

Before the asylum had transferred all its residents and closed its doors, the staff had decided to allow the patients to express themselves-- in pencil, crayon, and paint-- on the walls. Some of the pictures seemed childishly scrawled, others finely detailed. But all of them stood out in stark contrast to the dismal greyness, the piles of rubble, the rags that had been drapes, the broken glass, the stairs to nowhere.


In photographing this art work, Barnard was unaware of a growing focus in the art wor ld initiated largely by Dubuffet, an artist who had been institutionalized early in the 20th century and who had drawn the attention of others to the vivid visions of the work of his fellow patients, many of them psuychotic, suicidal or worse.

Dramatic interior asylum shot: littered theatre

After the Movie
Jeremy Barnard

What Barnard was however aware of-- and strove to reveal-- was the sad poignancy of the stories, hopes, and fears these pieces expressed, the enduring human spirit.

Painted wall at Danvers Asylum

Shortcake
Jeremy Barnard

Grateful Dead poster at Danvers asylum 

Dead Hole
Jeremy Barnard

CLICK ON ANY IMAGE on this page for the full selection of Barnard's Danver's photographs, and details of price and size.

SEE ALSO:
more work by Jeremy Barnard: visit the ARTISTS page.

PLEASE RETURN for more history and images of Danvers as we expand this page and others.